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In the course of writing a story about
divorce lawyers for a certain fancy magazine, I am compelled to call Raoul
Felder. I am not looking forward to it: Felder is a predictable publicity
hound, and every other prominent divorce lawyer I've spoken to has been
dismissive of him. One or two people have said that his wife, also a divorce
lawyer, is respectable and smart, but is lost in the shadows of her clownish
husband.
Still, my editor thinks Felder
ought to be in my story. So I call up, and get right through to Raoul
himself. I tell him what I'm doing. He launches. Biggest divorce practice
in the country, he asserts. By what measure? Any measure, he says: Most
attorneys in firm devoted to nothing but divorce (nine), most cases, etc.
I ask if he does a lot of high-asset
work. Yes, he says, but that's not all. People don't realize
that his firm also does work for police detectives. He's also just finished
the latest Elizabeth Taylor divorce, on the husband's side, I guess. Also
the Anthony Quinn case.
I ask about his wife. She does
appeals work, he confirms. Technical, he says. I try for details
a case she's been on. He names Quinn. Is that on appeal? No, he
says, she does the law work which would be used both in the
appeal and in the trial itself. I don't know why anyone would bother
to appeal, he adds.
Then, apropos of nothing, he says:
This business is noted for jealousy. And he proceeds to slag
all other divorce lawyers as uniformly jealous of him. He says he's jealous
of Norman Mailer, Frank Sinatra, and someone else who's name I didn't
get down. This is almost exactly what New York magazine paraphrases
him as saying in its 1995 best lawyers roundup. Obviously a rehearsed
line.
I reply that, in fact, other lawyers
have knocked him in conversation with me, that they have suggested that
he really doesn't do trial work, just talk shows. I'm looking at
my calendar, he counters, Three out of five days next week
I'm in court.
I ask how he became such a big
name. In 1963, he says, he was a trial lawyer for the Department of Justice.
A good one. I was trying major cases. His brother was a songwriter.
His brother had a songwriting partner. The partner needed to get divorced.
Raoul was offered the case for a $10,000 retainer. This is more than he
was making annually at Justice, he says. He took it. This was in the days
when you had to prove fault in a divorce case, and he was able to prove
that the best man at the wedding had had an affair with the wife. The
tabs used the headline: Best Man Kisses and Tells.
So his name was out there. Other
lawyers gave him the divorce cases they didn't want. He makes the proctologist
analogy that I've read in at least two other places. I was constantly
in court the first three years. Then he had cases of his own. Et
cetera.
He fends off accusations-which
I did not make-that he's a publicity hound by insisting that, It's
only a fraction of our cases you hear about.
I ask about how the practice has
changed. It's turned out to be an accountants and appraisers game,
he grumps. His theory is that when there was fault, that's where people
got out their anger. Now it gets worked out through asset squabbles.
I try to get back to Myra, his
wife. He tells me other lawyers like her, but don't like him. How come?
Because she joins the organizations and gives lectures (he doesn't mention
anything about any ability she might have). Thus he gets back onto the
subject of other divorce lawyers. I have zero interest in becoming
one of their club, he says. I find lawyers among the dullest
civilized group in the world. He tells me he resigned from their
academy in disgust. They all get this Napoleon complex,
he says."Basically, second-class people.
He adds that needy people are
attracted to the profession. I ask if that includes him. I have
a very high IQ, he replies.
Also, he tells me, he has a life
outside the practice. For instance: a PBS show with Jackie Mason.
People are generally better
off with their family practitioner than with a matrimonial specialist,
he concludes.
In light of that, I ask why people
choose him. They come more because you're the boutique in fashion
than for any other reason, he says.
Finally, I ask if he enjoys the
work. It's a job, he says.


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